I went out to Los Angeles recently and directed this music video for Hellfyre Club.  It is one heck of a posse cut and it is the title track off of their compilation “Dorner VS. Tookie.”

I’m going to be touring with them, performing visual projections and filming a tour documentary.  I am ecstatic and thankful to have this opportunity to explore abstract imagery and documentary filmmaking across the country with some of the best rappers in the game.  I’ll be providing visuals for some of my favorite rappers:  Busdriver, Open Mike Eagle, Milo and Nocando will all be performing sets, and they will also be performing a group set.  These are the dates, come hang!

2/11/14 – Fullerton, CA @ Slidebar – Free Show
2/12/14 – Riverside, CA @ The Barn at UCR tickets:
2/14/14 – San Francisco, CA @ Elbo Room
2/15/14 – Ashland, OR @ Lounge South
2/17/14 – Seattle, WA @ The Buy Levitra Croc – tickets:
2/18/14 – Portland, OR @ Star Theatre – tickets:
2/19/14 – Boise, ID @ Neurolux
2/20/14 – Salt Lake City, UT @ Kilby Court
2/21/14 – Denver, CO @ The Marquis – tickets:
2/22/14 – Fort Collins, CO @ Road 34
2/24/14 – Kansas City, MO @ Riot Room – tickets:
2/25/14 – Milwaukee, WI @ Mad Planet tickets:
2/26/14 – Minneapolis, MN @ 7th Street Entry tickets:
2/27/14 – Chicago, IL @ Schubas Tavern –tickets:
2/28/14 – Grand Rapids, MI @ The Pyramid Scheme – tickets:
3/1/14 – Cincinnati, OH @ Northside Tavern
3/3/14 – Montreal, QC @ Il Motore tickets:
3/5/14 – Philadelphia, PA @ The Barbary
3/6/14 – New York, NY @ Mercury Lounge – tickets:
3/7/14 – Boston @ The Middle East tickets:
3/8/14 – New Haven, CT @ Stella Blues
3/9/14 – Washington, D.C. @ DC9 tickets:
3/10/14 – Charlotte, NC @ Snug Harbor – Free Show
3/11/14 – Atlanta, GA @ Masquerade tickets:
3/13/14 – SXSW
3/14/14 – SXSW
3/15/14 – SXSW
3/16/14 – SXSW
3/20/14 – Tucson, AZ Opti Club/Congress


I worked with a lot of amazing people on every one of these projects.  Some of these I forgot I did.  Pretty good year.

nomadic hunter//hopeful romantic (w/eddie villanueva) 

wedding (w/serengeti)

quartet (w/frosty myers, lynden sculpture garden)

spectacle! (w/kurt raether, andrew swant, carol brandt, john roberts, erik ljung, quinn hester)

paleontology of a woman (w/timothy westbrook)

oculi: initial downlink (w/seakn, smrl, max larsen Buy Levitra, erik ljung)

besos (w/milo, beeple)

password (w/open mike eagle)

player two (w/mega ran)

steady (w/jel, smrl)

controlled burn (w/james moy, kipp zavada, eddie villanueva)

inverted appearances

esoteric tourguide (w/kinnickinnick ave and friends)

apologies (w/open mike eagle, smrl)

frame of season (w/sara luther)

demigodz of tha law (w/kurt raether)

ecclesiastes (w/milo) 



(w/hellfyre club)


Screen Shot 2012-11-30 at 6.22.20 PM

I wear many hats, but in my heart of hearts I am an idea oscillator and a generous collaborator.  I shift weight between film, poetry, rap, installation and performance, dynamically responding to a world perpetually waxing poetic.  A life-affirming quality threads my work in its various forms; there’s a visceral notion of “THIS COULD BE WORTH IT YOU GUYS” in everything I do.  I dialog with HGH life and love by writing lyrically intimate word streams that transmute into rap songs, movie scripts, epic poems and landmarks for imagination maps.  My practice operates independently and pluralistically with those who share a tenacious hunger for the bleeding edge.  When I make the decision to do something, I go all in, every time.  I make art to prove to myself that I am alive.


“Local director and part-time rapper WC Tank has a gift for mining the fantastical from the ordinary, so his take on the rap video is typically hallucinatory. In this video for Milwaukee/Chicago rapper Milo, a routine trip to the park becomes a survivalistic ordeal. Even a pizza break doesn’t Volume Pills bring much relief, since it takes place in the back of an ambulance. A faint sense of danger and unease carries through the whole video, even its requisite live footage, which like every other scene is somehow out of step with the world as it actually is.” -Shepard Express



Official Selection at the 2013 Milwaukee Film Festival

Back in Paleolithic days of MTV, music videos were treated more like short films than three-minute commercials. It wasn’t enough to have Michael Jackson dance and lip sync to “Thriller”—you had to have Michael Jackson check out a movie with his girlfriend, walk her home, get attacked by the undead, and then dance and lip sync to “Thriller.” In 2013 Milwaukee,Honeycomb Productions director Kurt Raether and rapper WC Tank are following in the choreographed footsteps of Jackson with their video for “Demigodz (Of Tha Law),” the first single from Tank’s Kisscry Patina album.

The six-minute “mini-rap-musical short” takes place after Tank and Raether’s previous music video, “Candy Council,” and features Tank embarking on a cosmic journey to the “Gutterworld.” There, he encounters an oppressed avant-garde group known as the “Aggrevatuers,” is transformed into a “Faintmaker,” and takes on the feared cultural overlords known as the “Demigodz.” If you’re looking for a video of a dude rapping in front of a brick wall electronic cigarette canada, you’ve clearly come to the wrong place.

On the technical end of things, the tripped-out film was inspired by an old-school music video. According to Raether, “We were looking to make a more classic rap video in black and white, but we wanted to do more with it. So we watched a lot of older videos, and my favorite music video of all time, A Tribe Called Quest’s ‘What’s the Scenario’ had this awesome part where Busta Rhyme’s shirt is keyed out and there are all sorts of patterns on it. You watch that video and it’s so full of bounce.”

“Demigodz (Of Tha Law)” was shot at various iconic Milwaukee locations, including the Lynden Sculpture Garden, the Charles Allis Art Museum, and the Port of Milwaukee salt flats. It also contains an audio nod to John Carpenter’s Prince Of Darkness (“We are unable to transmit through conscious neural interference. You are receiving this broadcast as a dream.”), which makes it even more awesome.

-Matt Wild, The Onion A.V. Club


WC Tank leads walking rap tour down Kinnickinnic Ave.

One of my favorite thinkers Werner Herzog once said “to walk is virtue and tourism sin” and I will paraphrase him further and say that when a human being has a deeply purposed destination to get to, it is important for them to walk that distance in order to truly become truly acquainted with the space between the two points.  In the modern world many of us have become accustomed to scaling great breadths of space quickly, be it by car or by plane, by phone or modem.

Around Halloween 2012 I was asked by He Can Jog to lead with rap the audience of an Audible Electricity performance  from Cedar House in Milwaukee, WI. to Shampoo Horn, six floors above Barnacle Buds.  He Can Jog professed that  it would take more than rice and beans to behoove this group of experimental music enthusiasts.  He needed something more human than food, more directional than a map, to move more than one dude, what he needed was rap.

I told him I’d do the best I could but never once begged a follower, only carried a torch and never looked back.  I supposed I could tell them the same old stories I’d told before while acquainting them to the surroundings of our time together.

It began in an alley.  I only fell once.  I was okay.  I needed to stay focused so as to maintain both my vocation as tourguide as well and as emcee and essentially performing multiple forms of navigation at once.

When electronic cigarette sales we reached our first checkpoint I saw some kids trick or treating and realized someone might think our mass exodus a farce.  But quickly decided it did not matter and so we pressed forth.

By vascular deduction I decided to take Kinnickinick avenue, a main artery of Bay View.

As our walk continued I found myself attempting to reconcile my pre-written words with an evolving environment by compensating with both my body and voice.  When I perform, my movements aren’t necessarily planned and the sounds of my untrained voice are different every time, I react to my surroundings physically, while the words run out of my mouth like a player piano.  The stage or in this case the sidewalk becomes a desert and gum on the ground becomes skullz.  My only prop is my boom box, during one song it could be a baby and in another, a bomb.  In some cases, I must become the bomb.


At a certain point in every performance, all self reflexiveness melts away, and the character takes over.  When that happened during this performance, my tourguiding became disoriented and more or less esoteric as I found myself pointing out unknown paths and invisible landmarks.

The character I am playing isn’t some made-up persona, but the externalization of my innermost dreams, juxtaposed with the situation I am presently in.  In this case, I was able to guide an audience through a physical space while using my imagination as a map.  When we reached our destination, I felt myself waking from the dream in a familiar place.            


This is a poem prezi I created as an experiment in displaying my writing visually, originally projected on a wall as part of a twelve hour performance installation group show called 12-12-12. It contains twelve poems from the past twelve years sprawling from a circular center. Though it can be read linearly by hitting the space-bar, it can be explored and Online Blackjack navigated by clicking and dragging or scrolling up or down, like an electronic elevation map. I encourage you to get lost in the words, plot your own course and discover your own poems. I send gratitude to Erik Schoster for helping me relaunch my website in a fashion that allows for more customized elements.  We are currently developing more interactive multimedia experiments, so keep checking back!